Artists have played a central part in IWM’s hundred year history, and have a powerful role to play in conversations around conflict. Their unique way of communicating helps challenge and deepen our understanding, and illuminates issues that can be difficult to talk about. The material, sensory experience and impact of war continue to be compelling subjects for all sorts of artists.
IWM worked with six Royal Academicians to reveal how the IWM collections influence and impact their work. Looking at diverse objects from aircraft to sound trumpets, and themes such as imprisonment, surveillance, terrorism and the nuclear threat of the 1960s, the resultant films demonstrate the breadth and vitality of the collection and the wide-ranging fascination it holds for artists working today.
Parallel Lives: Richard Deacon

Royal Academician and sculptor Richard Deacon is fascinated by the material, fabrication and surface of objects. Behind the scenes in his studio, he considers the tactile and distinctive qualities of old, seemingly unrelated, possessions and how they inform his artistic practice. By extension, he explores the landscape and collection at IWM Duxford focusing on his longstanding affiliation with airfields and aircraft.
Parallel Lives: Jane and Louise Wilson

Jane and Louise Wilson, artist duo and Royal Academicians, discuss how a German First World War aerial camera from IWM’s collection provided inspiration for their award-winning video installation, Undead Sun.
Parallel Lives: Conrad Shawcross

Royal Academician and sculptor Conrad Shawcross explores the relationship between form and function in his look at the IWM collections that have inspired his work. Here, he invites us to look at historic sound locators as fascinating sculptural objects as well as functional relics.
Parallel Lives: Tim Shaw

Royal Academician Tim Shaw reflects on the relationship between his art and IWM’s collection, and the enduring influence of war and conflict on his work.
Parallel Lives: Rebecca Salter

Artist Rebecca Salter, Royal Academician and Keeper of the Royal Academy, examines some of the most powerful Second World War drawings in the IWM collection. She considers the vital human pursuit of drawing in the face of extreme conflict situations.
IWM and the Royal Academy have had a long association. For the first three years of its life, IWM was scattered in offices and stores across London, and relied on temporary exhibition venues, including the Royal Academy, to display its collections. Many artists appointed to officially record the World Wars went on gain Royal Academician status, due in part to their significant contributions to our cultural memory of conflict.
This project, with Art Fund support, forms part of RA250 UK: Exhibitions and events around the UK to celebrate 250 years of the Royal Academy of Arts.

This project, with Art Fund support, forms part of RA250 UK: Exhibitions and events around the UK to celebrate 250 years of the Royal Academy of Arts. roy.ac/RA250UK