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Introduction
Reaction
Karl
Goetz
German 1st Issue
British
Anti-German Propaganda
German
2nd Issue
British
Lusitania Medallion
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The German first issue
'Lusitania Medallion'
A description of Goetz's original medallion
underlines the capacity of such pieces to convey a powerful political
message. A medallion of this type, packed with detail and arranged with
forensic skill, in the words of Hill 'corresponds to the satirical print,
crowding in the space available all the details that it is thought will
amuse the populace.' Goetz's standpoint is clear; he assumes the correctness
of Germany and castigates the duplicitous indignation of the Allies.
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Obverse of Goetz's first issue 'Lusitania'
medallion (HU 74867)
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The circular coated iron piece,
56.5 mm in diameter, whose thickness varies between 2 and 3 mm depending
on the model used in making the cast, depicts on its obverse the stricken
liner sinking, her stern submerged to left while her bow, laden with armaments,
rises clear of the water - an image contradicting eye-witness accounts
which stated that the ship went down bow first. The bow is depicted as
being ram-shaped, a reference to the configuration of war- ships of the
period and possibly a reminder that the British Admiralty had ordered
merchant vessels to attempt to ram German submarines. Smoke billows from
the vessel's four funnels. The obverse text 'KEINE BANN WARE!', around
the upper edge, is translated as 'No contraband goods'. The text in five
lines in the obverse exergue 'DER GROSS-DAMPFER=LUSITANIA=DURCH EIN DEUTSCHES
TAUCHBOOT VERSENKT 5.MAI 1915' is translated as 'The liner Lusitania
sunk by a German submarine 5 May 1915'. |
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Reverse of Goetz's first issue 'Lusitania' medallion
(HU 74866)
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The reverse design shows Death,
in the form of a skeleton, behind the ticket office counter of the Cunard
Line in New York, issuing tickets to a crush of passengers. Above the
window are the words 'CUNA LINIE'. Arranged vertically down the right
side of the window is the word 'CUNARD' and below the counter 'FAHRKARTEN
AUSGABE' ('ticket-office'). At the extreme left of the crowd a man reads
a newspaper bearing the headline 'U BOOT GEFAHR' (translated as 'U-boat
danger') and standing next to him is a top-hatted and bearded figure,
arepresentation of the German Ambassador to the USA, Count Johann-Heinrich
von Bernstorff, raising a warning finger. The significance of this reference
is that on 1 May 1915, Lusitania's sailing day from New York, a German-sponsored
announcement appeared next to the Cunard advertisement in all New York
papers reminding passengers that Germany was at war with Britain and her
allies and that the war zone included the waters around the British Isles,
also that vessels flying the flag of Great Britain, or any of her allies,
were liable to destruction in British waters. The reverse text 'GESCHÄFT
ÜBER ALLES', upper edge, is translated as 'Business above all'. The initials
of the designer, 'KG', are to be found in the reverse exergue.
British Intelligence seized upon the medallion to give a
new lease of life to the propaganda impact of the original sinking,
and the date mistake made easier their efforts to exploit it for their
own purposes. Goetz's original intentions were obscured by claims that
the piece was nothing more than a perverse celebration of a singular
atrocity.
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