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  • The Nazi Musa Road

    The Nazi Musa Road

    (art) Made by: McBey, James 1918

    Art.IWM ART 1538

    image: a view down a road bordered by sheer cliff faces, with a column of troops on horseback approaching. The column stretches around a corner, where there is a small arched bridge. A huge cliff face looms darkly in the background.

  • The Suez Canal by Night

    The Suez Canal by Night

    (art) Made by: McBey, James 1917-07-05

    Art.IWM ART 1413

    image: a view of a large ship in the Suez Canal on a pitch black night, the scene only illuminated by a small searchlight beam from the deck of the ship onto a patch of water.

  • Suez Canal. 28th April 1916 : from the crow's nest of Deversoir Signal Station. Serapeum, on the extreme left, was the Base
Camp.

    Suez Canal. 28th April 1916 : from the crow's nest of Deversoir Signal Station. Serapeum, on the extreme left, was the Base Camp.

    (art) Made by: Mason, Frank 1916

    Art.IWM ART 2841

    image: A view from a high position over part of the Suez Canal and the surrounding desert landscape. In the centre foreground two small vessels are moored near the canalside with a jetty nearby. Trees and a few buildings are in the left foreground and a...

  • Jisr Mujimie Bridge

    Jisr Mujimie Bridge

    (art) Made by: McBey, James 1919-01-01

    Art.IWM ART 1592

    image: a view of an old stone bridge that arches over a river with rocky banks. A column of mounted troops has just passed over the bridge and moves on towards a narrow gap in a range of green hills. There are some barbed wire defences in the immeidate...

  • The Streets of Askelon: The Strand

    The Streets of Askelon: The Strand

    (art) Made by: Maxwell, Donald

    Art.IWM ART 1466

    image: two Royal Navy sailors manoeuvre a small rowing boat on the shore of a beach, with another sailor signalling with flags to men standing at the top of a headland. Along the coast are some of the ancient stone ruins of the city of Askalon, with some...

  • Blowing Up an Ammunition Dump near Samaria

    Blowing Up an Ammunition Dump near Samaria

    (art) Made by: McBey, James 1918-09-22

    Art.IWM ART 1589

    image: a huge blast illuminates a dark landscape; in the foreground are the small silhouetted figures of British soldiers, while in the distance to the left a train moves across the composition.

  • Nebi Musa (The Tomb of Moses) and the Dead Sea : from Talaat-ed-Dumm

    Nebi Musa (The Tomb of Moses) and the Dead Sea : from Talaat-ed-Dumm

    (art) Made by: Dugdale, Thomas Cantrell 1918

    Art.IWM ART 1867

    image: A view of the dry undulating landscape of Nebi Musa with the Dead Sea visible in the background. The landscape has little vegetation and there is a track visible on the slope to the left.

  • The Mark of the Navy : the bridge over the Wadi Hesy Deir Seneid. The hole was made by a 12-inch shell fired at a range of over 9 miles.

    The Mark of the Navy : the bridge over the Wadi Hesy Deir Seneid. The hole was made by a 12-inch shell fired at a range of over 9 miles.

    (art) Made by: McBey, James 1917-11-13

    Art.IWM ART 1509

    image: a view of an arched bridge crossing a wadi in a desert landscape. There is a large shell hole on the road of the bridge, with military vehicles driving across the dry riverbed itself rather than going over the bridge, and a few men walking over...

  • Near Pelusium : a ruined fort. Pelusium in the distance.

    Near Pelusium : a ruined fort. Pelusium in the distance.

    (art) Made by: McBey, James 1917-10-01

    Art.IWM ART 1500

    image: a panorama of a desert landscape, with a ruined fort in the middle ground to the left and with Pelusium in the far distance.

  • Guarding Jisr Mujimie Bridge

    Guarding Jisr Mujimie Bridge

    (art) Made by: McBey, James 1919-01-01

    Art.IWM ART 1698

    image: a view of the old arched stone bridge, Jisr Mujimie, crossing the River Jordan. To the right of the bridge is an old stone building with a gathering of British soldiers and horses beside it, guarding the crossing.

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