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  • The Battle of the Landings - ANZAC - Evening, April 25th 1915

    The Battle of the Landings - ANZAC - Evening, April 25th 1915

    (art) Made by: Hillier, Herbert 1915

    Art.IWM ART 4278

    image: an annotated sketch of the scene in the evening of the initial landings at Anzac Cove on the western side of the Gallipoli peninsula, looking eastwards. Numerous ships are in the water near the coastline, with splashes in the water showing the...

  • The Battle of the Landings - ANZAC - Night, April 25th 1915

    The Battle of the Landings - ANZAC - Night, April 25th 1915

    (art) Made by: Hillier, Herbert 1915

    Art.IWM ART 4279

    image: crew members of HMS Manica stand on the deck of the ship trying to view developments on the shore at Anzac Cove on the western side of the Gallipoli peninsula. One man stands on metal stairs with his arm pointing to the land. Beyond them further...

  • Dawn, April 26th 1915

    Dawn, April 26th 1915

    (art) Made by: Hillier, Herbert 1915

    Art.IWM ART 4280

    image: a view of Anzac Cove on the western side of the Gallipoli peninsula during the first days of the Allied landings. Various warships and transport ships are visible by the coastline, with a small boat in the immediate foreground. The high ground of...

  • Kriegsanleihe Zeichnen! [Subscribe to the War Loan!]

    Kriegsanleihe Zeichnen! [Subscribe to the War Loan!]

    (posters) Made by: Euringer (Undefined) 1917

    Art.IWM PST 7315

    whole: the image is positioned in the upper half, with the text below in purple, and the title across the bottom in dark blue and purple, both utilising a gothic typeface. image: an arrangement of a sword and a garland of flowers and fruit set against a...

  • Wounded Men on Duppas Hill, Croydon

    Wounded Men on Duppas Hill, Croydon

    (art) Made by: Coke, Dorothy J

    Art.IWM ART 2365

    Image: An outdoor scene of soldiers resting in a park on a bright day. They are the war-wounded wearing their distinctive uniform, some with crutches, others bandaged limbs. They stroll about the park, sit on the benches, or lie on the grass. There are...

  • Camouflaging the Pipeline at the British Aluminium Company's Works at Fort William : October 1941

    Camouflaging the Pipeline at the British Aluminium Company's Works at Fort William : October 1941

    (art) Made by: Bone, Stephen 1941-10-01

    Art.IWM ART LD 1663

    image: a view looking down a hill, along the pipeline, towards the aluminum works with a river and mountains in the distance. A frame work has been erected above the pipeline and workers can be seen covering the framework with camouflage materials.

  • Help the R.F.C. in the Near East

    Help the R.F.C. in the Near East

    (posters) Made by: Hugh, Bernhard (Undefined) 1917

    Art.IWM PST 10788

    whole: the image occupies the majority, with the title integrated and positioned upper right, in white outlined black. Further text is separate and positioned across the bottom, in black against a white background. All held within a black border. image:...

  • A Cinema in the Desert - ENSA, Suez 1943

    A Cinema in the Desert - ENSA, Suez 1943

    (art) Made by: Graves, Frank 1943

    Art.IWM ART LD 7195

    image: A British soldier stands in a doorway of a makeshift cinema in the Egyptian desert. Within the open air construction is a table and chair, with a wooden planked floor and wooden frame in the foreground. On the wall on the right hand side is a...

  • In the Orchard (An Impression). France, 15th November 1916

    In the Orchard (An Impression). France, 15th November 1916

    (art) Made by: Anderson, William McDougall 1916-11-15

    Art.IWM ART 16250 4

    image: a small, loose sketch of an orchard, with most of the trees appearing to be saplings.

  • Boys to the Farm

    Boys to the Farm

    (posters) Made by: Henderson, E (Undefined) 1918

    Art.IWM PST 12507

    whole: the image occupies the majority, with the title separate and positioned across the top edge, in orange. The text is separate and positioned lower right, in blue and in white. Further text is integrated and positioned upper right, in white outlined...

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