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  • Imbros : the swept channel for the Dardanelles passage

    Imbros : the swept channel for the Dardanelles passage

    (art) Made by: Mason, Frank

    Art.IWM ART 3110

    image: a view across the sea and coastline of the island of Imbros. In the right foreground the dark silhouettes of several Royal Navy ships are visible, with a low headland to the left and a shadowy hill in the background. There are dark clouds in the...

  • Camp for Turkish Prisoners of War, Imbros, June 6th 1915

    Camp for Turkish Prisoners of War, Imbros, June 6th 1915

    (art) Made by: Hillier, Herbert 1915

    Art.IWM ART 4348

    image: an annotated sketch of a view into a valley on the island of Imbros, within which is a camp of bell tents used to house Turkish prisoners-of-war. There is a rocky outcrop in the immediate foreground, withe the tents further back on the valley...

  • The Base Camp, Cape Helles, Under Shell Fire, August 1915: The "SS River Clyde" is seen aground.

    The Base Camp, Cape Helles, Under Shell Fire, August 1915: The "SS River Clyde" is seen aground.

    (art) Made by: Wilkinson, Norman 1915-08-01

    Art.IWM ART 2450

    image: A scene of several troop-ships under fire from the shore in a rough sea. To the left of the composition, the 'River Clyde' is run aground and listing to one side. Over to the right another ship is seen vanishing beneath the surface, and...

  • Australians Bathing on V Beach, Gallipoli

    Australians Bathing on V Beach, Gallipoli

    (art) Made by: Allfree, Geoffrey Stephen 1915

    Art.IWM ART 147

    image: a view across V Beach at Helles in Gallipoli, showing a group of Australian soldiers sunbathing and swimming. In the background is a military camp, with a cluster of triangular white tents pitched before a steep and sandy headland.

  • The Headquarters of the 29th Division, Gully Ravine, Cape Helles, Gallipoli

    The Headquarters of the 29th Division, Gully Ravine, Cape Helles, Gallipoli

    (art) Made by: MacClure, Victor

    Art.IWM ART 1927

    image: A view from the bottom of a deep ravine. There are wooden huts set into the ravine walls, groups of soldiers walking the pathways and standing around on the floor of the ravine.

  • In Mudros Bay - Preparations Completed, April 23rd 1915

    In Mudros Bay - Preparations Completed, April 23rd 1915

    (art) Made by: Hillier, Herbert 1915

    Art.IWM ART 4272

    image: A view of Mudros Bay in Lemnos. An assortment of ships, including a line of numerous lighters tied together, are moored in the bay with the coastline in the background. There is a sketch of a specific boat in the top right corner of the...

  • Farewell to Imbros, August 1915

    Farewell to Imbros, August 1915

    (art) Made by: Hillier, Herbert 1915

    Art.IWM ART 4412

    image: a view of the island of Imbros in Turkey, with the cliffs and shoreline in the foreground and sea beyond.

  • Our Submarine No. 92 Returning From the Straits and Marmara, 3.45pm, June 19th 1915

    Our Submarine No. 92 Returning From the Straits and Marmara, 3.45pm, June 19th 1915

    (art) Made by: Hillier, Herbert 1915

    Art.IWM ART 4355

    image: in the foreground Royal Navy submarine 92, shown port side on, sails from right to left within Kephalos Bay off the island of Imbros. Some of her crew are visible on the deck and conning tower. Immediately behind and to the left are several ships...

  • Monitor at Anchor in Bay, Imbros, 1.45pm, June 22nd 1915

    Monitor at Anchor in Bay, Imbros, 1.45pm, June 22nd 1915

    (art) Made by: Hillier, Herbert 1915

    Art.IWM ART 4360

    image: an annotated sketch of a Royal Navy monitor, effectively a floating gun platform, at anchor in a bay off Imbros island. The monitor is shown from the starboard side with a small vessel immediately before her. A rugged peak is visible on the...

  • Imbros, April 29th 1915

    Imbros, April 29th 1915

    (art) Made by: Hillier, Herbert 1915

    Art.IWM ART 4290 a

    image: a view of the mountainous coastline of the island of Imbros, with a choppy sea in the foreground. The drawing is heavily annotated and done on two small sheets of paper joined together, this one using the right sheet.

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